Tuesday, August 29, 2006
Start by painting the outside of both the drawer and slip cover. I used two shades of acrylic: dark for the drawer and lighter for the cover.
Line the drawer with a scrap of nice paper. Make a knob by poking through a paper fastener (brad) or a decorative stud. You can also sew on a button and attack a length fibre as a pull, or you might prefer to punch a finger-size hole instead.
I decorated this box with leftovers from other projects: a scrapsheet image, a transfer sheet postage stamp, a couple of real postage stamps. I also used a scrap of corrugated paper, painted on gesso, added a swipe of acrylic paint, and stuck on a strand of tiny fake pearls. The gold elements are something I salvaged from a cheap paper mache treasure chest a while back.
This is small and it was inexpensive to make, but even so, it's the kind of beautiful little gift you can give to your friends and know they'll appreciate it. And it's just perfect for those tiny summer treasures.
Monday, August 28, 2006
The green lady is already packaged up and ready to embark on a flight to the USA later today. Her companion, the red lady, will remain with me. The royal lady with the legs (below) will also be making a journey soon, as a RAK for one of the artists in my Mini-Journal project.
I'm often asked where I find the time to do so much art. Well... come in closer and I'll tell you. Here's the "secret": you don't find time, you make it. My day has 1.440 minutes, just like yours, and just like everyone else's, and the only difference is in how I manage them. You can be just as productive as you think I am, if you are prepared to claim your time and use it to your advantage and if you're ready to make choices. For example, a lot of art is about waiting for things to dry, or about piecing collage elements together on a trial basis and waiting for them to say "yes" or "no" to you, and other stuff like that. So, while your art projects are bonding and jelling, you can get on with other tasks.
I'm also lucky in that I can leave some of my projects lying out on the workbench, ready for when I have a few minutes to take a next step. But before you start with "yes, well my situation is more difficult because of kids, pets, husband, space, or whatever...", you also need to know that I work with and around restrictions, too. I just make choices that differ from other people's. For example, space-wise I work in what other people would call a kitchen. Me? I just cook in my workshop from time to time.
Here's an article I wrote about making time for what matters to you. The article is written for would-be writers, but it applies equally to artists.
Make Time to Write!
Sunday, August 27, 2006
Take a 30 x 30 cm (or 12 x 12 inch) square of sturdy paper. The background papers sold for scrapbooking are fine, and you won't even need to cut them to size.
In this example I've used a sheet of wallpaper cut from a sample book and trimmed to size.
- Fold the paper in half top to bottom, open it up flat again.
- Fold the paper in half left to right, open it up again.
- Fold the bottom edge to the horizontal fold line across the centre of the paper. Crease the new fold.
- Open the flap you've just created. Smear on some glue, close the flap again, and press it until the glue is dry.
- Fold the glued flap up at the fold line, and hey presto, you have a pocket.
Fix the pocket in place using double-sided sticky tape and/or brads, eyelets, stitching, staples, etc.
Then all you need to do is fold the pocket left edge to right edge and crease, and you have a booklet or card.
You can then decorate and fill the pocket as you wish. Make as many pockets as you need, whenever you need them. Use one pocket on its own as a card, or punch holes/stick on tabs and string the pockets together to make a book you can add to as you go.
Along with the buttons came a card that explains the meaning of Balela. Balela is an African Xhosa word which means to "shine clear as the sun from an unclouded sky". Well, the buttons certainly do that! Each one is handcrafted from clay, painted, then fired at stoneware temperatures to make them strong enough to use on clothing.
What I can tell you is that each of the buttons in front of me is an exquisite work of art.
Friday, August 25, 2006
All I'll say about the book today is that it will soon be on its way to Kathy, along with something else I've almost completed.
Same time, same place...
.. that now and then the scraps will come together to create something small and pleasing, like today's offering, "moi."
Why "moi"? Well, it was one of the few words I was able to put together from the letters remaining on the sheet. It also fits, because the lady on the front appears to be pointing at herself.
The print and the ladies used in this mini tag-bookie were from the decoration Gena did on the front of the box in which she packaged her materials. The beige paper was a little piece from her mix. All I added were some leftover typewriter key stickers, the filling paper, and a few inches of fibre.
Tuesday, August 22, 2006
Using the same technique described below in the Tag-Bookies post, I cut four strips from each 12x12-inch (30x30 cm) background paper, folded the strips into tag booklets, snipped the corners and punched a hole in the flap and presto! Then I stamped the inside surface, cut card or paper to write on, and pamphlet stitched the cards/booklets into the cover.
To decorate the outside cover, which I did on one side only, I cut the painted watercolour paper slightly smaller than the tag and potched on a piece of "Merry Christmas" paper napkin. Art potch becomes semi-transparent when it dries, allowing a hint of colour from the underground to show through, and that brings a touch of subtlety to the shading of the top layer.
After trimming the napkin layer, I cut an every-so-slightly larger mat from the plain green card and layered mat and napkin onto the tag booklet.
This is a quick and easy project that you can also budget as desired. If you start now, you'll be able to make all the tag booklets you need for the holidays. There's still plenty of time to use each booklet as an art journal or "appreciation book" or "let me count the ways I love thee" in its own right and create a truly personal arty gift for each recipient.
Monday, August 21, 2006
Yesterday I did triage on a set of materials and was left with several 12x12 inch background papers in the "tricky "pile. The papers were difficult for a couple of reasons. They were photographs of real items from the environment: leaves, branches, bricks, water, and so forth. One issue that presents itself with material like this is that real-life images are often overwhelming because of their size, colours, and clarity, which makes it difficult to do much by way of subtle work with them. They dominate almost anything you might want to do and tend to dictate what follows. For example, it's hard not to use beach holiday photos against a background of sun ripples on clear blue water, and autumn leaves bring along a heavy set of associations, too. Which brings in the second main issue: the photographic style is more what a scrapbooker would use, rather than an artist. So, it was clear to me that I wanted to work on the papers first, so they wouldn't sit around looking at me for days or weeks.
One of my first ideas was to cut them into cover papers or clothing for paper dolls, but that would have meant making a lot of dolls, and some of the patterns were also too large to look good on small objects. A smaller problem was that the papers had been folded, which meant they were creased, so I couldn't use them for all the ideas I brainstormed. Another idea I came up with and rejected was to cover parts of the paper(s) with gesso and then paint the gesso or use art potch to cover gesso and/or paper with paper napkins. That would have added colour, texture, and more pattern to the papers, to counteract the dominance. However, that would still have left the question of what to do with the papers after that.
A couple of ideas later I decided to use several of the papers as pocket pages in a journal. (I'd actually hoped to make something other than a journal yesterday, and I did, but more on that later.) I cut a strip from each square, which left me with pockets (the paper was already folded). Then I collaged other papers and ephemera onto the backgrounds, which made them a little more subdued and added an arty touch. The journal is an "art start", and it will be easy for the recipient to add her own touches with more papers, gesso, paint, photos, hand-made booklets or tags, and whatever else she has to hand. The covers are collaged, too, and here I added some inking and a band of woven jute.
The book still has a lot of handling ahead, when it reaches its recipient, so I decided to make the binding easy to take apart and reassemble. To do that I added a tab to the outside fold of each pocket and to the covers, reinforced them with eyelets, and threaded through some colour-coordinated fibres.
Saturday, August 19, 2006
Take a baggage label/shipping tag. I used 12 x 6 cm (which is around 5 x 2.5 inches), and I wouldn't recommend anything smaller than that, really, or else it gets too fiddly. You can use larger tags though, if you have them. If you don't have tags, simply cut a piece of card to tag size, trim off the corners and punch a hole at one end.
Lay the tag in front of you with the end with the hole to the left, long edge at the top and bottom. Score and fold the tag just to the right of the hole, so you have a little flap with a hole in it. Measure the rest of the tag, from the score line to the right edge, and score another line at the halfway point. Fold the tag. You'll now have a little booklet.
My tag was 12cm long. I scored and folded 2cm from the left edge, just to the right of the hole. That left me with 10cm of tag. I scored again at 5cm and folded the booklet.
Time to do the background. Open out your booklet and lay it flat again. I filled in the backgrounds by stamping the tags on both sides then overstamping with the same stamp but a different colour of ink. Between the two colours of ink and the two or three increasingly lighter impressions you can get from one ink-up, that's a lot of shading and variety, and makes for impressive visual effects. I finished off by running a chalk ink pad around the edges. This is such a small, fast step, but it makes one heck of a difference to the appearance of an item.
The next step is to make a card or signature for the inside of the booklet, so you have something to write on. Cut some paper or card just a little smaller than the main part of your tag. The main part of my tag measured 10cm x 6cm, so I cut my paper to 9cm x 5cm. Lay the papers on top of each other and then fold them in half, so the narrow edges meet.
Lay this "booklet" inside your tag bookie, take an awl or a large sharp needle, and punch three holes through all layers, right in the fold. Thread up a needle with some waxed thread, bookbinding thread, or fibres, then sew the pages and tag cover together using a simple pamphlet stitch. I started my pamphlet stitch from the outside, because I wanted to have trailing threads on the outside as embellishment.
Here's an easy-to-follow pamphlet stitch "how to" (pdf)
Embellish the covers with scraps of paper, postage stamps, beads, or whatever else you have in your stash. Loop a length of fibre through the tag hole, and there you are! You can make a dozen of these in an hour on a wet afternoon. And don't they look just great?
Let's see... The large wooden item is a lightwood crate that I'll probably use as a shadow frame, some natural background 12x12 inch papers (water, brick, pine branches, and the like). No need for groans in the back row. It is a challenge, after all... and anyway, I already have an idea for a way to use them.
The package also included a variety of images, some buttons, lengths of fibre, printouts of various bits of ephemera, and... I saved as much as I could from the dictionary sheets that were glued behind the address label.
I'm just off to do the rest of my "must do" work, so I can play hard later today.
Friday, August 18, 2006
I've now spread the materials out in a quiet corner and am letting them suggest things to me. I can already "see" some of the items in combination with stuff from my existing stash. Let's wait and see what happens...
Monday, August 14, 2006
Sometime this week, a specific someone is going to read this post and feel rather pleased. I promised this to Lee a while ago, and now it's ready to be packed up and make the trip across the Atlantic.
The journal has gessoed covers on which I made a raised wave pattern with a tooth comb. I painted on ocean colours, as I know lee is fond of the shore, then I brushed the ridges with gold to add a bright contrast.
Inside, the pages were all colored (water soluble crayons and baby wipes) then edged with scraps of paper or ephemera. Other effects were made using a scrap of punchinella (sequin waste) as a mask and dabbing on chalk inks. I added a small corner pocket on the back inside page, as I love it when things stick out in journals.
One of the main ideas behind the journal is that it is not finished for once and for all. It can and should be added to, both in terms of embellishment and of additional pages to write on.
Friday, August 11, 2006
The box is a cardboard cigar box. I needed something light, because the project will travel across the Atlantic and back again as it runs its course.
The red strips are corrugated paper covered with gesso and colored with chalk inks. The starfish is a plastic toy rubbed with gold Rub 'n Buff. The photo (Dora) is part of a cabinet card I printed out on transparency film, and the 3D frame is a scrap of foam core board covered in paper. The inside of the box is covered with scraps of old book pages, ledger, etc.
I then made a simple loose leaf journal to fit the box. The cover is card covered with wallpaper. I rubbed the covers with Ranger Distress Ink (Tattered Rose), to age them a little, and stamped seashells on top. I finished the covers off with a little of the corrugated edging, too.
The filling is a collection of loose sheets of watercolour paper (190g/m2) cut to size and pockets made of wallpaper scraps. The idea was to recreate the kind of thing a young girl would do with leftovers in an age in which children were not provided with off the shelf materials--an age in which no one had off the shelf art materials, in fact. The binding is simply torn strips of cheap red silk poked through five sets of holes. It's beautifully shabby, if I may say so. In fact, I think I'll make some more of these in large for myself.
One of the pockets contains a small articulated paper doll (not Dora) which is central to the story. You can just see her poking out.
Tuesday, August 08, 2006
For the outside covers I laid down a layer of gesso and used a wooden skewer to scratch in a pattern of random lines. When it was dry, I gave the covers a wash of pink, making sure it got the colour down into all the gashes. Later I added a golden wash, which I worked into the lines over part of the cover and used to highlight the ridges on the other part. When that dried, I added tiny accents in orange, blue, and green.
The inside covers are brighter and slightly more colourful, I dry brushed on all the colours I'd used on the front covers, but I did so mainly in layers, so there is some mixing, but not a lot. The brushstrokes are visible, and that was my intention. I glued on (matte medium) scraps of patterned cellulose for variety and brushed over them lightly with the main color to blend them in.
The journaling pages are cut from 190g/m2 watercolour paper and edged with scraps of vintage book pages and ledger. I've also included scraps pf paper and transparencies between pages. That leaves the recipient scope to add journaling and to embellish further, according to her taste and materials available to her.
That done, I finished the book by gluing on scrabble tiles (matte medium) and some dyed buttons (Ranger inks), then cut and tied short lengths of yarn and ribbon to the spine.
Sunday, August 06, 2006
The skeleton leaves are from the bodhi tree, a type of oriental fig tree that is often planted in Buddhist monasteries.
I've always felt an affinity to Buddhism, as have most of the people who were important to me in my adult life. So, while I wouldn't claim to be a Buddhist, my appreciation of Buddhist teachings reaches deep.
I'll be working more on this doll and others like it. I'll also be working on some kind of container or "shrine" in which the doll and a journal can be placed.
Two glossaries of Buddhist terms:
Wednesday, August 02, 2006
Panorama books open Japanese style, from left to right (back to front). The image on the front cover is part of a postcards included in the materials. The image on the back is from an old school atlas. It shows Margaret's home country, the Netherlands.
Inside, the little book folds open to reveal a larger inner life than you might have suspected. The section on the left is layered and folded to create a 3-D effect. The sections on the right fold out and are intended as journaling space. The entire book is a travel journal of sorts, as this is what most of the materials suggested. The green background papers are also form Margaret's package.
My hope is that Margaret will use the journal to record some interesting trip or other by adding photos, mementos and journaling.
If desired, the holes on the far right of the journaling section can be matched to those on the cover edge and the decorative cord used to bind them together. That will make the open book stable enough to stand on a shelf.